Drowning remains one of the most under-discussed causes of preventable death worldwide, and disproportionately affects children, low-income communities and those with limited access to swimming lessons.

It is a deceptively simple thought, delivered with real warmth. A lifeguard, the film argues, shouldn't be one person in red and yellow watching from a chair. It should be all of us, starting with ourselves. No Lifeguard builds that argument through testimony rather than statistics, travelling to two of the regions hit hardest by drowning anywhere in the world.

Accura - a musician and filmmaker before he was ever an advocate - frames the whole film through his own experience of disengagement from swimming, and what changed when he finally learned. That honesty is prominent in Accra and Colombo, where the documentary meets people for whom the absence of a lifeguard isn't a philosophical question, but daily reality. Ghana and Sri Lanka are among the countries with the highest drowning rates in the world. The film finds communities who have had to build their own informal safety nets simply because the formal ones rarely reach them.

Back in London, the film's most pointed conversation unfolds between Accura and Danielle Obe, co-founder alongside him of the Black Swimming Association, a charity working to close the long-documented gap in swimming access and water confidence within Black British communities. Their exchange grounds the film's central idea in a conversation about who has historically been left out of water safety messaging altogether, and why that has to change.

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