Eureka Entertainment to release THE VALIANT ONES, King Hu’s last great masterpiece from the golden age of wuxia cinema. Presented from a brand new 4K restoration on Blu-ray and 4K Ultra HD Blu-ray, as part of the Masters of Cinema Series. Available from 27 May 2024 in the UK (home video debut), and from 28 May 2024 in North America, the first print run of 2000 copies of each format in each territory will feature a Limited edition O-card slipcase.
The Valiant Ones is perhaps the last true wuxia film directed by celebrated Taiwanese filmmaker King Hu, an undisputed master of the genre. Shot back-to-back with The Fate of Lee Khan (but not released until two years later), it stands as a worthy follow-up to his earlier works Come Drink with Me, Dragon Inn and A Touch of Zen.
During the reign of the Jiajing Emperor, China’s coastal regions have come under attack by wokou – Japanese pirates under the leadership of the infamous Hakatatsu. To combat this threat, the Emperor tasks a trusted general, Zhu Wan, with assembling a group of skilled warriors to find and eliminate the pirates. Under the command of General Yu Dayou, the band of soldiers – including husband-and-wife sword-fighters Wu Ji-yuan and Wu Ruo-shi – set out to draw Hakatatsu, his ally Xu Dong and their pirate clan into a series of spectacular showdowns.
Inspired by historical events and featuring several storied figures drawn from Chinese history, The Valiant Ones is a standout wuxia film produced during the dying days of the genre, as audience tastes were shifting towards more grounded kung fu cinema. The Masters of Cinema series is proud to present the film on Blu-ray and 4K Ultra HD Blu-ray from a 4K restoration.
SPECIAL EDITION BLU-RAY FEATURES:
- Limited edition O-card slipcase featuring new artwork by Grégory Sacré (Gokaiju) [First print run of 2,000 copies only]
- 1080p HD presentation on Blu-ray from a 4K digital restoration of the original negatives gifted by director King Hu to the Hong Kong Film Archive
- Uncompressed original Mandarin mono restored from the original soundtrack negative
- Optional English subtitles newly translated for this release
- Brand new audio commentary by Asian film expert Frank Djeng (NY Asian Film Festival)
- Tony Rayns on The Valiant Ones – Brand new interview with critic and Asian film expert Tony Rayns
- Tsar of all the Wuxia – Brand new video essay by David Cairns
- The Life of a Lucky Stuntman – Brand new interview with stuntman Billy Chan
- My Father and I – Brand new interview with actor Ng Ming-choi
- Archival 2003 interview with actress Hsu Feng by Frédéric Ambroisine
- Archival 2003 interview with Roger Garcia (Hong Kong International Film Festival Society) by Frédéric Ambroisine
- Archival 2016 interview with actor Ng Ming-choi by Frédéric Ambroisine
- PLUS: A collector’s booklet featuring new writing on the film by Jonathan Clements
SPECIAL EDITION 4K ULTRA HD BLU-RAY FEATURES:
- Limited edition O-card slipcase featuring new artwork by Grégory Sacré (Gokaiju) [First print run of 2,000 copies only]
- 4K (2160p) UHD Blu-ray presentation, presented in Dolby Vision HDR from a 4K digital restoration of the original negatives gifted by director King Hu to the Hong Kong Film Archive
- Uncompressed original Mandarin mono restored from the original soundtrack negative
- Optional English subtitles newly translated for this release
- Brand new audio commentary by Asian film expert Frank Djeng (NY Asian Film Festival)
- Tony Rayns on The Valiant Ones – Brand new interview with critic and Asian film expert Tony Rayns
- Tsar of all the Wuxia – Brand new video essay by David Cairns
- The Life of a Lucky Stuntman – Brand new interview with stuntman Billy Chan
- My Father and I – Brand new interview with actor Ng Ming-choi
- Archival 2003 interview with actress Hsu Feng by Frédéric Ambroisine
- Archival 2003 interview with Roger Garcia (Hong Kong International Film Festival Society) by Frédéric Ambroisine
- Archival 2016 interview with actor Ng Ming-choi by Frédéric Ambroisine
- PLUS: A collector’s booklet featuring new writing on the film by Jonathan Clements
